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Topics

Literature

  • Summary
George Eliot's Hand
Image credit: Nuneaton Museum and Art Gallery

George Eliot's Hand

unknown artist

Nuneaton Museum and Art Gallery

Stories, characters and themes from novels, plays and poetry have been among the most important subjects of art. Once written down, myths, legends and fables also become literature. They shared some of the traditional functions of art, to educate and to provide inspiration and moral guidance.


The myths of ancient Greece, the fables of the Roman writer Ovid, medieval poetry, and the great novels of the eighteenth and nineteenth centuries have all inspired artists.

Read more
In the Renaissance, classical literature was the most important inspiration but from the eighteenth century contemporary novels and plays began to provide subjects. Johann Zoffany became a specialist in theatrical subjects and the publisher Boydell Shakespeare Gallery bravely attempted to create a market for literary subjects.

Artworks

  • Robert Lovelace Preparing to Abduct Clarissa Harlowe
    Robert Lovelace Preparing to Abduct Clarissa Harlowe Francis Hayman (1708–1776)
    Southampton City Art Gallery
  • View of the Interior of the Library
    View of the Interior of the Library John Peace (1933–2017)
    The Literary & Philosophical Society of Newcastle
  • F. T. Murphy
    F. T. Murphy Percy John Delf Smith (1882–1948)
    Southampton City Art Gallery
  • George Eliot's Hand
    George Eliot's Hand unknown artist
    Nuneaton Museum and Art Gallery
  • The Naiads
    The Naiads Gioacchino Pagliei (1852–1896)
    Nottingham City Museums & Galleries
  • George Gordon, Lord Byron (1788–1824)
    George Gordon, Lord Byron (1788–1824) Donald Chaffin
    Nottingham City Museums & Galleries
  • The Reader
    The Reader David Tindle (b.1932)
    University of Leicester
  • 383 more

Stories

  • Edna Clarke Hall: from the Slade to 'Wuthering Heights'

    Eliza Goodpasture

  • Matt Ward photographing Kenny Hunter's 'Monument to a Mouse'
    Six Scottish Robert Burns statues

    Rhona Taylor

  • Portrait of Miss Iza Duffus Hardy
    Iza Duffus Hardy: a forgotten author who mixed with the Pre-Raphaelites

    Sara Ayad

  • Frontispiece to Phillis Wheatley's 'Poems on Various Subjects'
    She will soar: portraits of women poets in UK collections

    Ana Sampson

  • Taking a turn around Jane Austen's England

    Molly Tresadern

  • Ten women who used pseudonyms... and one man

    Lydia Figes

  • Mervyn Peake
    The life and unsung art of Mervyn Peake

    India Lewis

  • 1606, print etching by Antonio Tempesta (1555–1630) published by Pieter de Jode I
    Changing shapes: the art of Metamorphosis

    Helen Cobby

  • The painter, the poet and the model's wife: the tragedies of 'The Death of Chatterton' by Henry Wallis

    James Trollope

  • Sir Walter Scott on the Bank of Scotland £5 note
    On the money: a portrait of Sir Walter Scott at 250

    Damian Barr

  • Installation image of 'Alice Curiouser and Curiouser' at the V&A
    The artists inspired by Alice's adventures down the rabbit hole

    Chris Mugan

  • John Keats and the Pre-Raphaelites

    Eugenia Russell

  • Sparking the Gothic imagination: Mary Shelley's 'Frankenstein' and Polidori's 'The Vampyre'

    Andrew Shore

  • Allen Ramsay's 'The True Face of Burns'

    Annwen Bates

  • C. S. Lewis: the 'Narnia' writer inspired by Ireland

    Roger Courtney

  • Poetry and painting: Seamus Heaney, Colin Middleton and T. P. Flanagan

    Eva Isherwood-Wallace

  • Why is there a statue of Keats in a London hospital?

    Lucasta Miller

  • Alasdair Gray: artist, author and Glasgow Recorder

    Greg Thomas

  • Yma o Hyd: six works about the Welsh language

    Steph Roberts

  • Shakespeare's sisters: women who wrote the Renaissance

    Ramie Targoff

  • Legendary heroes and villains in art

    Ana Sampson

  • Stories from the east: how William Morris was influenced by Islamic manuscripts

    Qaisra M. Khan

  • Ruth Murray in her studio
    Seven questions with Ruth Murray

    Imelda Barnard

  • Slipping sideways into language: the visual poems of Dom Sylvester Houédard

    Greg Thomas

  • John Pettie: Scotland's pre-eminent history painter

    Jonathan Hajdamach

  • Breaking Up of the Blue Stocking Club
    Who were the Bluestockings?

    Lydia Figes

  • William Blake: fusing the classical figure, mythology and religion

    Florence Bell

  • The Romantic poets in art

    Lydia Figes

  • Who was George Bernard Shaw?

    Lydia Figes

  • Christoph Vogtherr
    International wish list: Christoph Vogtherr, Director of the Hamburger Kunsthall, Hamburg, chooses...

    Christoph Vogtherr

  • Tam o' Shanter: Robert Burns' poem illustrated by Alexander Goudie

    Lydia Figes

  • 'The Art of Sidney Sime: Artist and Philosopher' at the Lightbox, Woking

    Jade King

  • Virginia Woolf and T. S. Eliot: how two literary titans made their mark on art

    Suyin Haynes

  • Chagall in the countryside: 'The Poet Reclining'

    Adam Wattam

  • painting by Christine Kühlenthal (1895–1976)
    Talking to the neighbours: Ronald Blythe and his painter friends

    Gill Hedley

  • Bourn Cookery Book by Giles Round and contributors
    When art meets cookery

    Cedar Lewisohn

  • Love, betrayal and murder: crying in art

    Robert Priseman

  • Romantic escape: John Lehmann's Orpheus journal and British Neo-Romantic art

    Peter Lowe

  • Love, jealousy, deceit: exploring Shakespeare's Othello in art

    Molly Tresadern

  • Enchanting friend or fiendish foe? Fairies in Scottish art

    Dawn Geddes

  • The sensuous entity: music and poetry in the art of Ceri Richards

    Bryony White

  • Rebel with a cause: Catharine Macaulay, England's first female historian

    John Bonehill

  • The Ark of Ceridwen: how neo-druids rocked Pontypridd

    Delyth Badder

  • The legend of Semiramis: treacherous seductress or powerful Assyrian queen?

    Costanza Casati

  • Celebrity, seduction and the stage: depicting Britain's first actresses

    Kirsten Tambling

  • The artistic ambitions of Edward Lear

    Chris Mugan

  • La Crau from Montmajour, France
    A laughing landscape: the literary legacy of Van Gogh's Montmajour drawings

    Edward Richards

  • Art Matters podcast: Virginia Woolf, feminism, and women painting women

    Ferren Gipson

  • 'All was paint': a portrait of the poet Derek Walcott

    Blake Matich

  • Ten paintings of female poets in UK collections

    Ana Sampson

  • What did Shakespeare really look like?

    Lydia Figes

  • William Nicholson's 'Miss Wish Wynne (1882–1931), Actress, in the Character of Janet Cannot for the Play 'The Great Adventure''

    Katey Goodwin

  • Leafing through the pages in the nation's collection

    Cleo Roberts

  • Star-crossed lovers: Romeo and Juliet in art

    Lucy Ellis

  • The Assumption of the Virgin
    Heaven and heresy in Francesco Botticini's 'Assumption of the Virgin'

    Martin Kemp

  • Robert Burns
    Robert Burns: capturing the Bard in three dimensions

    Rhona Taylor

  • How sculptor Christine Charlesworth brought Aphra Behn to life

    Mike Longhurst

  • Art Matters podcast: forgotten women artists

    Ferren Gipson

  • Open, says me! The forgotten Orientalism of Albert Goodwin

    Tehmina Goskar

  • J. M. W. Turner and the 'sister arts' – painting and poetry

    Catherine Parry-Wingfield

  • Saleem Arif Quadri in his London studio, February 2025
    Faith, heritage and negative space: an interview with Saleem Arif Quadri

    Hassan Vawda

  • 'The Lady of Shalott': an Arthurian legend in Cornwall

    Natalie Rigby

  • Brenda Chamberlain: painting in isolation

    Maggie Gray

  • Nude women bathing: Susanna, Bathsheba and the troubling male gaze

    Jonathan Hajdamach

  • Vanessa Bell, Virginia Woolf and the power of sisterhood

    Rhian Sasseen

  • The many faces of Oscar Wilde

    Anne Wallentine

  • Mermaids: a queer twist in the tail

    Sacha Coward

  • 'Inspired! Art inspired by literature, theatre, and music' at London's Guildhall Art Gallery

    Katty Pearce

  • Edward McGuire’s portrait of Seamus Heaney

    Stefani Bednarova

  • Most blessed, most cursed: the duality of Blodeuwedd, Welsh goddess of flowers

    Dan Mitchell

  • Julian Gould's 'Self Portrait'

    Annwen Bates

  • Illustration for a French translation of Edgar Allan Poe's 'The Raven'
    Art Matters podcast: artists as book illustrators

    Ferren Gipson

  • Arnold Bennett: 'popularizer of high art and educator of public taste'

    Katey Goodwin

  • A portrait of William McGregor by James Cumming

    Duncan Macmillan

  • Art Matters podcast: the magic of fairy tales in art

    Ferren Gipson

  • Antonio Zucchi's works at Nostell Priory

    Tania Adams

  • Big-trimmed.jpg
    Art Matters podcast: artists of classic Ladybird books

    Ferren Gipson

  • Protest in print: the activist work of Paul Peter Piech

    Michelle Lewis

Learning resources

  • ll30-aeb-s010-002-thumbnail-1.jpg
    Lesson plan
    Lewis Carroll's characters
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • LLR_AWC_0642-001.jpg
    Round-up
    Storytelling resources
    • KS1 (ENG)
      KS1 (NI)
      CfE L1 (SCO)
      PS2 (WAL)
      KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
  • pa-ceri-richards-do-not-go-gentle-1.jpg
    Lesson plan
    How can poetry be used to inspire art? Ceri Richards and Dylan Thomas
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • pr-bst-bmagg-k6389-001-1.jpg
    Round-up
    Poetry resources
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS2 (WAL)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE Sen. (SCO)
      KS4 (WAL)
  • GMIII_MCAG_1934_401-001.jpg
    Lesson plan
    The Superpower of Looking: a lady, a curse and tales of King Arthur
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • gmiii-mcag-1934-401-001-1.jpg
    Audio
    Audio description of 'The Lady of Shalott' by William Holman Hunt
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)
  • acwp-cubist-head-1.jpg
    Lesson plan
    Use art to inspire poetry and creative writing
    • KS3 (ENG)
      KS4 (ENG)
      KS5 (ENG)
      KS3 (NI)
      KS4 (NI)
      KS5 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      CfE Sen. (SCO)
      KS3 (WAL)
      KS4 (WAL)
      KS5 (WAL)
  • psta-08-1.jpg
    Lesson plan
    Collage pop-up scenes and stories
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).