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Topics

Life and death

  • Summary
A Skull
Image credit: Wellcome Collection

A Skull

unknown artist

Wellcome Collection

Mythology and religion help us to come to terms with death by providing powerful examples of how to live and die: the lives of the gods, the crucifixion of Christ, the sacrifices of the saints, and the promise of heaven. These are all prominent in art. Another theme, when plagues were common and medicine ineffective, was the memento mori: a ‘reminder of death’. This could take the form of a skull (as in Hans Holbein the younger’s The Ambassadors), the Grim Reaper’s scythe and hourglass, fading flowers or short-lived butterflies. All remind us that, however powerful or beautiful, we all must die.


Read more

Portraits may be a way of celebrating life and of escaping mortality, by preserving an image of oneself for the future.

How artists respond to death

What recurrent symbols of death can we find throughout the history of art and why have artists always been so obsessed with death and mortality?

This film is part of the series The Art of Discomfort which looks at how artists explore or present challenging themes in their work.

Video credit: National Galleries of Scotland and HeeHaw

Artworks

  • Jean de Dinteville and Georges de Selve ('The Ambassadors')
    Jean de Dinteville and Georges de Selve ('The Ambassadors') Hans Holbein the younger (c.1497–1543)
    The National Gallery, London
  • 'Take your Son, Sir'
    'Take your Son, Sir' Ford Madox Brown (1821–1893)
    Tate Britain
  • An Experiment on a Bird in the Air Pump
    An Experiment on a Bird in the Air Pump Joseph Wright of Derby (1734–1797)
    The National Gallery, London
  • The Death of Chatterton
    The Death of Chatterton Henry Wallis (1830–1916)
    Birmingham Museums Trust
  • A Skull
    A Skull unknown artist
    Wellcome Collection
  • Lucretia
    Lucretia André Bauchant (1873–1958)
    Southampton City Art Gallery
  • The Martyrdom of Saint Ignatius of Antioch
    The Martyrdom of Saint Ignatius of Antioch Spanish School (probably)
    Southampton City Art Gallery
  • 1,031 more

Stories

  • Tim Knox makes some morbid discoveries on Art UK

    Tim Knox

  • Between the humorous and the serious: the works of Simon Black at the Royal Free Hospital

    Raina Sheridan

  • Lady in the Park
    Commemorating the First World War in twenty-first-century sculpture

    Katey Goodwin

  • The nation's scariest art, part 2: dare you explore the Wellcome Collection?

    Jade King

  • 1654, oil on panel by Carel Fabritius (1622–1654)
    Carel Fabritius: pupil of Rembrandt, painter of 'The Goldfinch'

    India Lewis

  • Holding skulls: handling death in art

    Jon Sleigh

  • desperately-young725px-1.jpg
    Desperately young: artists who died in their twenties

    Angela Swanson Jones

  • 1896, oil on panel by James Ensor (1860–1949)
    The torments of James Ensor

    Adam Wattam

  • Rain, Auvers: how a Van Gogh masterpiece got to Wales

    Steph Roberts

  • Elizabeth Butler: painter of battle scenes from Waterloo to the First World War

    Felicity Herring

  • Julian Gould's 'Self Portrait'

    Annwen Bates

  • Horizontal or vertical?

    Liz Waring

  • 'I paint dead people': posthumous portraits

    Jade King

  • Kaywin Feldman
    International wish list: Kaywin Feldman, Nivin and Duncan MacMillan Director and President of the Minneapolis Institute of Art, chooses...

    Kaywin Feldman

  • Dance of Death: The Pedlar
    The power of art during times of plague

    Tim Cornwell

  • Petrus Christus' 'Christ as the Man of Sorrows'

    Camilla Stewart

  • Funerals, processions, lying-in-state: depicting grief in art

    Andrew Shore

  • A rare survival from the Tudor period: 'Cornelia Burch, Aged Two Months'

    Sonia Roe

  • Bedbound: sex, birth, convalescence and death in British art

    Rosemary Waugh

  • Derek Jarman's garden: a heart of creativity

    Robert Priseman

Learning resources

  • pa-ceri-richards-do-not-go-gentle-1.jpg
    Lesson plan
    How can poetry be used to inspire art? Ceri Richards and Dylan Thomas
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • sculptors-techniques-fiona-campbell-1.jpg
    Video
    Sculptors' techniques: Fiona Campbell
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • screenshot-2022-11-11-at-14-05-10-1.jpg
    Video
    Sculpture near you: 'Tree of Life' at the British Museum
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).