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Topics

LGBTQ+ subjects

  • Summary
Memorial to a Marriage
© Patricia Cronin Studio, LLC. Image credit: Glasgow Life Museums

Memorial to a Marriage

Patricia Cronin (b.1963)

Glasgow Life Museums

Lesbian, gay, bisexual, and transgender people continue to fight for equal rights even in the twenty-first century, yet LGBT+ people have always existed and been represented in art and culture.


It is important to recognise that cultural attitudes and norms have varied greatly and the meaning of terms such as 'gay', 'LGBT' or 'queer' have changed throughout history. 'Queer', for example, was once considered a derogatory term, yet has been reclaimed as a celebratory word to reject conventional gender or sexuality labels.

Read more
It may be popular knowledge today that the sitter of a Victorian portrait had same-sex relationships, yet the person would not have accepted their identity as homosexual at the time. However, representing queer histories in art not only provides an accurate representation of societies and people, but also can be of great interest and comfort to queer people today.


In contrast, contemporary art depicting LGBTQ+ subjects can be celebratory, the artist including the sitter's queer identity as part of the piece. Even straightforward portraits continue to celebrate queer identity through presenting the subjects, rightly, as part of everyday life.

Find out more

Queer art on Wikipedia
LGBT+ group: National Portrait Gallery

Artworks

  • Elton John ('On the throne')
    Elton John ('On the throne') Suzi Malin (b.1949)
    National Portrait Gallery, London
  • Study for Self Portrait
    Study for Self Portrait Francis Bacon (1909–1992)
    National Museum Cardiff
  • Nan Hudson Playing Patience at Auppegard, France
    Nan Hudson Playing Patience at Auppegard, France Ethel Sands (1873–1962)
    Guildhall Art Gallery
  • Oscar Wilde
    Oscar Wilde W. & D. Downey (active 1855–1940)
    National Portrait Gallery, London
  • William John Bankes (1786–1855), MP
    William John Bankes (1786–1855), MP George Hayter (1792–1871)
    National Trust, Kingston Lacy
  • Oscar Wilde Memorial Walk Gates
    Oscar Wilde Memorial Walk Gates Bruce Williams (b.1962) and Paul Muldoon (b.1951)
  • James Byres of Tonley (1734–1817)
    James Byres of Tonley (1734–1817) British (Scottish) School
    National Trust for Scotland, Castle Fraser, Garden & Estate
  • 97 more

Stories

  • Queering the collection: Frances Hodgkins' 'Cedric Morris (Man with a Macaw)'

    Renee Vaughan Sutherland

  • The gender fluidity of the Chevalier d'Éon

    Lydia Figes

  • Bi visibility: Gwen John and multiple gender attraction

    Tabitha Deadman

  • Bi visibility: the importance of bisexual+ representation in art collections

    Tabitha Deadman

  • Ro Robertson at Porthmeor Studios
    Seven questions with Ro Robertson

    Tania Moore

  • Romany Mark Bruce's 'Tay (AIDS Memorial)'

    Anthony McIntosh

  • The real George Villiers: social climber, art patron and favourite to King James

    Gavia Baker-Whitelaw

  • Queering the collection: John Minton's 'Spanish Village' at Towner

    Renee Vaughan Sutherland

  • Wedding of Patricia Preece and Stanley Spencer, 1937. From left: Hepworth, Preece, Spencer, Jas Wood
    Queering the collection: Patricia Preece's 'Girl in Yellow Dress'

    Renee Vaughan Sutherland

  • 1979, painting by Wilfred Avery (1926–2016)
    Wilfred Avery: unifying landscape and the male body

    Francesca Ramsay

  • unknown photographer
    Bi visibility: Dora Carrington and multiple gender attraction

    Tabitha Deadman

  • A Conversation with Oscar Wilde
    Maggi Hambling: a maverick in life and public sculpture

    Lydia Figes

  • Queer bodies: the sailor in art

    Jon Sleigh

  • Queer St Ives and other stories

    Ian Massey

  • Andrew Logan and Duggie Fields
    Andrew Logan and friends: reminiscences of the glitterati

    Andrew Lambirth

  • The many faces of Oscar Wilde

    Anne Wallentine

  • Gluck's gender-defiant self portrait

    Rosie Broadley

  • Here comes the goose! Elizabeth Siddal's strangely sapphic sentinels

    Nat Reeve

  • Stephen Tomlin at Chaldon
    Stephen Tomlin: sculptor of the Bloomsbury Group

    Michael Bloch

  • Britten and Pears in 'Double Concerto': a portrait of a relationship

    Christopher Hilton

  • John Gibson and Penry Williams: queer Welsh artists in Rome

    Norena Shopland

  • Drawing the love between David and Jonathan: Simeon Solomon's medieval style in the Victorian era

    Robert Wilkes

  • Beyond revolution: the legacy of the queer 1960s in art today

    Jon Sleigh

  • 'Abiku (Born to Die)' by Rotimi Fani-Kayode: displacement, belonging and the Black male body

    Ian Sergeant

  • Queer Welsh women in art

    Mair Jones

  • Five powerful queer stories told by portraits

    Molly Tresadern

  • Marlow Moss (with cravat and cigarette)
    Queering Constructivism: the legacy of Marlow Moss

    Lucy Howarth

  • Lotte Laserstein painting her large work 'Evening over Potsdam'
    Lotte Laserstein: the German realist who challenged expectations

    P. L. Henderson

  • 1932, photograph by unknown artist
    Bi visibility: Marie Laurencin and multiple gender attraction

    Tabitha Deadman

  • Portrait of the Artist
    Self-reflection at National Museum Cardiff's 'Art of the Selfie' exhibition

    Abike Ogunlokun

  • Bell and Armistead: the making of modern art in Wales

    Ceri Thomas

  • Marie Laurencin's 'Vase de Fleurs'

    Gabrielle Gale

  • Rosa Bonheur's 'Barbouyo'

    Catherine McManus

  • Art, protest and being seen: an interview with Stephe Meyler

    Joshua Jones

  • Sally Ryan's 'The Martinique'

    Julie Brown

  • Zeus and Ganymede
    Divine homosexuality: Ganymede and Antinous as queer icons in art

    Ben Gazur

  • Zanele Muholi: championing black and queer visual narratives

    Siham Ali

  • 'Our true Mother' – interpreting a genderqueer Jesus

    Emma Cieslik

  • Objects of affection for Saint Dwynwen's Day

    Jenny Mathiasson

  • Androgynous beauty: Henry Wriothesley's performance of masculinity

    Alice Blow

  • Saint Wilgefortis
    Saint Wilgefortis: a bearded woman with a queer history

    Jade King

  • Jon Sleigh giving a talk in front of Francis Bacon's 'Figures in a Landscape'
    Coded messages in art: Francis Bacon's 'Figures in a Landscape'

    Jon Sleigh

  • From the Picts to the palette: a queer history of Scotland through its art and artists

    Indigo Dunphy-Smith

  • Left: Eliza Fraser of Castle Fraser (detail), right: James Byres of Tonley (detail)
    Eighteenth-century queer Scottish lives: Elyza Fraser and James Byres

    Indigo Dunphy-Smith

  • Comradeship, community and masculinity: miners and strikes in Wales

    Rachel Dawson

  • Mabel Pakenham-Walsh: activist, storyteller and craftsperson

    Alice Briggs

  • The power of Patricia Cronin's 'Memorial to a Marriage'

    Laura Bauld

  • The sapphic sketchbook: what drawings can reveal about desire

    Lexi Covalsen

  • Morris, Lett-Haines and Rubio the parrot
    Revealing nature: Cedric Morris and Arthur Lett-Haines

    Pat Hardy

  • Derek Jarman's garden: a heart of creativity

    Robert Priseman

  • Write on Art: 'Gluck' by Gluck

    Ophelia Lanfranchi

  • Lesbian love and coded diaries: the remarkable story of Anne Lister

    Lydia Figes

  • The socialite and the introvert: the shared life and art of Ethel Sands and Anna Hope Hudson

    Lydia Figes

  • Cedra Osbourne, Robert MacBryde and Robert Colquhoun with the children of Elizabeth Smart
    Queer domesticity in the work of Robert Colquhoun and Robert MacBryde

    Eleanor Affleck

  • The artists who confronted gender norms

    Molly Tresadern

  • The Lady Frances and the Lady Catharine Jones Daughters to the Right Honble Richard Earle of Ranelag
    Know your queer icons: a warning from art history

    Jon Sleigh

  • (detail), 1778, marble by Giuseppe Ceracchi (1751–1801)
    Anne Seymour Damer: the 'Sappho' of sculpture

    Olivia Bladen

  • Queer women and non-binary artists who fashioned their own style

    Claire Mead

  • Clare 'Tony' Atwood: the modest musketeer

    Kay Carson

  • 1928, pencil on paper by Dorothy Hepworth (1898–1978)
    Patricia Preece and Dorothy Hepworth: love, art and deception

    Jade King

  • Cover of the original copy of Virginia Woolf's 'Orlando: A Biography'
    The queer love story behind Virginia Woolf's 'Orlando'

    Clare Patterson

  • Derek Jarman: painting it out

    Robert Mills

  • 'From the Watford Advertiser 1960, with my self portrait painted 1959'
    Derek Jarman: painting, protest and the AIDS pandemic

    Matthew Cheale

  • Gender in portraiture: the fine line between masculine and effeminate

    Jon Sleigh

  • Saint Sebastian as a gay icon

    Flora Doble

  • Sappho and Alcaeus
    Sapphic sexuality: lesbian myth and reality in art and sculpture

    Flora Doble

  • Greek myths, homosexuality and universal humanity: the art of Keith Vaughan

    Flora Doble

  • Queer Frontiers
    ARTIQ presents 'Queer Frontiers 2020'

    Sara Tenti

Learning resources

  • COL_GAG_EC3V_SITC_SYMB-001.jpg
    Round-up
    LGBTQ+ resources
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).