[Skip to content] [Skip to main navigation] [Skip to quick links] [Go to accessibility information]

Art UK
Menu
SIGN IN
Search
Shop
  • About
  • Discover
  • Learn
  • Stories
  • Donate Donate

Main menu

Close
  • Home
  • Search form

    • Discover

      • Artworks
      • Artists
      • Topics
      • People
      • Art terms
      • Stories
      • Curations
    • Learn

      • Learning resources
      • The Superpower of Looking
      • Visual literacy
      • Write on Art
    • Participate

      • Tagger
      • Curate
      • Art Detective
    • Visit

      • Venues
    • Support us

      • Become a Patron
      • Our funders
    • About

      • What we do
      • Our impact
      • Who we are
      • Who funds us
    • For collections

      • Partner collections
      • Digital skills for collections
    • Shop

      • Prints
      • Art themes
      • Books
      • Gifts
      • About the shop
  • Sign in
  • Register

Remember me (uncheck on a public computer)

By signing up you agree to terms and conditions and privacy policy

Forgotten password?

Enter your email address below and we’ll send you a link to reset your password


Cancel

I agree to the Art UK terms and conditions and privacy policy

Sign up to the Art UK newsletter, a weekly edit of insightful art stories


Finding Art UK useful? Support us to keep it free.

Donate Finding Art UK useful? Support us to keep it free.

Topics

Horseracing

  • Summary
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Driver Winning the Third Heat
Image credit: Tate

The Match between Aaron and Driver at Maidenhead, Aug. 1754: Driver Winning the Third Heat

Richard Roper (c.1730–c.1775)

Tate

Horseracing has a special place in art history as it was rich man’s sport at a time when Britain’s greatest animal painter was working. Racehorses could win valuable prizes and large sums were bet on them. Owners have commissioned paintings of their favourite horses since the early eighteenth century.


In the UK, horseracing was first regulated in 1755 at the same time that George Stubbs began his study of horses.

Read more
Stubbs raised what was a task for middle-ranking artists to its highest achievements of accuracy and naturalism, through the scientific study of anatomy and an eye for unusual compositions – his masterpiece Whistlejacket has a plain background. The specialism continues to this day, with Alfred Munnings being a twentieth-century master.

Artworks

  • After the Race
    After the Race Alfred James Munnings (1878–1959)
    Southampton City Art Gallery
  • Whistlejacket
    Whistlejacket George Stubbs (1724–1806)
    The National Gallery, London
  • From Afar
    From Afar Joseph Baker Fountain (1907–1992)
    The Mercer Art Gallery, Harrogate
  • Cup Bearer II
    Cup Bearer II John Duvall (1815–1892)
    Suffolk Punch Heavy Horse Museum
  • The End/Untitled, Series
    The End/Untitled, Series Mario Rossi (b.1958)
    Arts Council Collection, Southbank Centre
  • Hot Day at Goodwood
    Hot Day at Goodwood Vera Stokes (b.1936)
    Salisbury District Hospital
  • A Bay Horse Called 'Fleacatcher'
    A Bay Horse Called 'Fleacatcher' John Nost Sartorius (1759–1828)
    National Trust, Calke Abbey
  • 144 more

Stories

  • Sir Alfred Munnings at the start of a race
    Painting form: Sir Alfred Munnings and horse racing

    Katherine Field

  • James Ward: animal painter

    Pat Hardy

  • The Anatomy of the Horse
    A national gallery of sporting art in Newmarket, the home of horseracing

    Nicholas Watkins

Learning resources

  • sculpture-near-you-startled-horse-1.jpg
    Video
    Sculpture near you: 'Startled Horse'
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS3 (WAL)
      KS4 (WAL)

Do you know someone who would love this resource?
Tell them about it...

https://artuk.org/discover/topics/horseracing Copy
Link copied to clipboard!
  • bloomberg
  • dlb foundation
  • Supported by

    Arts CouncilArts Council
  • heritage fund
® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).

Follow us

    • Join us on Facebook
    • Follow us on YouTube
    • Top
  • Subscribe to newsletter
  • Donate to Art UK

Quick links

  • Contact us
  • FAQ
  • Terms of use
  • Privacy policy
  • AI policy
  • Use of cookies
  • Copyright notice
  • Accessibility
  • Shop
  • Disclaimer
  • Jobs
  • Website credits
® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).