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Topics

Hairstyles, cosmetics and body art

  • Summary
Tattooing and Braiding the Hair
Image credit: Horniman Museum and Gardens

Tattooing and Braiding the Hair

unknown artist

Horniman Museum and Gardens

The most familiar hairstyle in paintings is the wig, a feature of male fashion in Europe from the mid-seventeenth to the late eighteenth centuries. Men shaved their heads and in informal portraits wear caps. Women did not regularly wear wigs, but elaborated their hair with extensions and coiffeurs. As an important element of fashion, hair and wig styles can be used to date portraits and, similarly, dated portraits can illustrate changes in fashion.


Read more

The use of cosmetics is less obvious in art, but the upper classes valued a pale skin to differentiate themselves from workers. This and the use of rouge can be clearly seen in some late eighteenth-century female portraits. Painters of theatrical subjects often depict performers applying their make-up.

Artworks

  • Tattooing and Braiding the Hair
    Tattooing and Braiding the Hair unknown artist
    Horniman Museum and Gardens
  • A Girl with Black Hair
    A Girl with Black Hair John Duncan Fergusson (1874–1961)
    Southampton City Art Gallery
  • Jaqueline
    Jaqueline Frank Griffith (1889–1979)
    Southampton City Art Gallery
  • Portrait of a Man
    Portrait of a Man British School
    Southampton City Art Gallery
  • Desmond Haughton, with Red Jumper
    Desmond Haughton, with Red Jumper Nahem Shoa (b.1968)
    Southampton City Art Gallery
  • Annie Winifred Marsden-Smedley
    Annie Winifred Marsden-Smedley Luke Fildes (1843–1927)
    Southampton City Art Gallery
  • Mrs Richard Marsden Pankhurst (1858–1928), née Emmeline Goulden
    Mrs Richard Marsden Pankhurst (1858–1928), née Emmeline Goulden Georgina Agnes Brackenbury (1865–1949)
    Museum of London
  • 3,601 more

Stories

  • Why are artists infatuated with red hair?

    Rachael Gibson

  • Meghan, Harry and weddings in art

    Bee Tajudeen

  • Weird beards: a short art history

    Ferren Gipson

  • Dead pretty: the perils of Georgian beauty regimes

    Jon Sleigh

  • Elizabeth I (The Armada Portrait)
    Art Matters podcast: beauty and power in art

    Ferren Gipson

  • God will punish him
    Seven questions with Anya Paintsil

    Lydia Figes

  • Looking good: the pleasures and pitfalls of beauty in Renaissance and Baroque Europe

    Jill Burke

  • Ladies at their toilette: private moments and public spectacle

    Grace England

  • Helen Flockhart in her studio
    A bit of mischief: an interview with Helen Flockhart

    Catriona McAra

  • Gloriana and the Virgin Queen: portraits of Elizabeth I

    Rosanna Lawton

  • c.1882, lantern slide by J. S. Powell
    Tā moko: the Māori facial tattoos that fascinated Victorian Britain

    Tiare Tuuhia

  • Beyond the pale: blushing and whiteness in eighteenth-century portraits of women

    Janet Couloute

Learning resources

  • gcse-2025-themes-2-1.jpg
    Exam support
    Art and Design GCSE exam support: 2025 themes
    • KS4 (ENG)
      KS4 (NI)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).