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Topics

Greed and gluttony

  • Summary
An Oyster Supper
Image credit: Nottingham City Museums & Galleries

An Oyster Supper

Horatio Henri Couldery (1832–1910)

Nottingham City Museums & Galleries

Two of the seven deadly sins, greed for money and excessive love of food and drink, seem to have been particularly attractive to artists. Both feature regularly in depictions of the sins by Hieronymus Bosch and others. Artists’ skills at depicting piles of treasure are shown off, for example, in scenes of the fabulously rich Croesus, warned by the philosopher Solon that his wealth would not bring happiness.


Read more

Gluttony has been often mocked, though Dionysus and Bacchus, the Greek and Roman gods of wine, are mystical figures celebrated in art. In the less-mystical Netherlandish sixteenth and seventeenth centuries, drunkenness is frowned on but made the subject for many light-hearted paintings of inns, festivals and private parties.

Artworks

  • The Tichborne Claimant
    The Tichborne Claimant Walter Richard Sickert (1860–1942)
    Southampton City Art Gallery
  • The Garden of Earthly Delights
    The Garden of Earthly Delights Hieronymus Bosch (c.1450–1516) (copy after)
    Wellcome Collection
  • A Game Stall
    A Game Stall Frans Snyders (1579–1657)
    York Art Gallery
  • Still Life with Fish and a Cat
    Still Life with Fish and a Cat Alexander Adriaenssen (1587–1661)
    York Art Gallery
  • Still Life with Figures
    Still Life with Figures Flemish School
    York Art Gallery
  • Untitled
    Untitled Ruth Graham (b.1958)
    Art & Heritage Collections, Robert Gordon University
  • A Woman playing Cards with Two Peasants
    A Woman playing Cards with Two Peasants Hendrik Martensz. Sorgh (1609/1611–1670)
    The National Gallery, London
  • 68 more

Stories

  • A brief art history of the seven deadly sins

    Philomena Epps

  • North Side of the West Wall of Nakht's Offering Chapel (detail, middle right)
    Divinity, drunkenness and desire: the story of wine in art

    Anne Wallentine

  • (detail), 1751, engraving by William Hogarth (1697–1764)
    The gin craze: how William Hogarth captured the spirit of Georgian Britain

    Lydia Figes

  • Food and feasting in European art history

    Lydia Figes


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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).