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Topics

Empire and colonialism

  • Summary
A Young Girl with an Enslaved Servant and a Dog
Image credit: Yale Center for British Art

A Young Girl with an Enslaved Servant and a Dog

Bartholomew Dandridge (1691–c.1754)

Yale Center for British Art

In UK art collections the British Empire plays a large part. Almost every aspect of British history in the eighteenth and nineteenth centuries depended on military, economic and trading activities within the Empire.


There are numerous portraits of the soldiers, administrators and colonists who created the Empire and of its native subjects: many British aristocratic, landowning and industrialist families relied on slavery and the raw materials and markets of the Empire for their wealth.

Read more
Many battles recorded in art relate to the growth or defence of the Empire. From Canada, through the Middle East, Africa and India to Australia, new exotic landscapes and architectural marvels were revealed to inspire artists. William Hodges, for example, spent six years in India.

Artworks

  • Elizabeth
    Elizabeth William D. Dring (1904–1990)
    Southampton City Art Gallery
  • View of a Mosque at Raj Mahal, India
    View of a Mosque at Raj Mahal, India William Hodges (1744–1797)
    Government Art Collection
  • A Young Girl with an Enslaved Servant and a Dog
    A Young Girl with an Enslaved Servant and a Dog Bartholomew Dandridge (1691–c.1754)
    Yale Center for British Art
  • View of Calcutta
    View of Calcutta William Hodges (1744–1797)
    Manchester Art Gallery
  • Edward VII (1841–1910)
    Edward VII (1841–1910) Frederick Hall (1860–1948)
    Southampton City Art Gallery
  • Omai, a Polynesian
    Omai, a Polynesian William Hodges (1744–1797) (attributed to)
    Hunterian Museum
  • Queen Victoria (1819–1901)
    Queen Victoria (1819–1901) Joseph Marc Gibert (1806–1884)
    Southampton City Art Gallery
  • 203 more

Stories

  • Write on Art: 'British Empire Panel (11) India' by Frank Brangwyn

    Abhimanyu Gowda

  • Sutapa Biswas: entwining colonial history and personal memory

    Imelda Barnard

  • Tara Munroe on the discovery of the 'Casta Paintings'

    Tara Munroe

  • A closer look at 'The Paston Treasure'

    Francesca Vanke

  • Members of the Empire, Slavery and Scotland Museums Steering Group
    Empire, Slavery & Scotland's Museums: an interview with Abeer Eladany

    Aimee Murphy

  • 'James Hunter (Black Draftee)' by Alice Neel
    Rediscovering Black Portraiture: unshackled, reimagined, seen

    Peter Brathwaite

  • Is anti-racist public art important enough to protect? Shadwell's 'Across the Barrier'

    Hassan Vawda

  • Entangled histories: the Highland Clearances and the transatlantic slave trade

    Harvey Dimond

  • Frans Post and Dutch visions of Brazil

    Robert Wilkes

  • A sense of place: diversifying landscape painting at Dulwich Picture Gallery

    Jennifer Scott

  • To go and come back: Gavin Jantjes's 'Korabra' series

    Matthew Cheale

  • The Empire on paper: visualising British India

    Surya Bowyer

  • Incensed: Alan Kilpatrick's 'Incense Workers' series

    Caleb Carter

  • Ignatius Sancho
    The outrageous neglect of African figures in art history

    Paterson Joseph

  • Celebrating the abolitionist Quobna Ottobah Cugoano, an overlooked figure in Black British history

    St James's Piccadilly

  • Tony Bennett
    Volunteers' Week: Tony Bennett

    Tony Bennett

  • Troubling tales: images of Black people in Temple Newsam's collection

    Eleanor Leeson

  • Lela Harris at Judges' Lodgings Museum, Lancaster
    Uncovering hidden histories: an interview with Lela Harris

    Kirsty Jukes

  • ain't I a woman?
    Ain't I a woman? New truths and meanings at Cyfarthfa Castle Museum & Art Gallery

    Steph Roberts

  • What does 100 years of South Asian artists in Britain look like?

    Hassan Vawda

  • Saleem Arif Quadri in his London studio, February 2025
    Faith, heritage and negative space: an interview with Saleem Arif Quadri

    Hassan Vawda

  • Permindar Kaur in her studio
    Staying with the ambivalence: an interview with Permindar Kaur

    Alina Khakoo

  • Rasheed Araeen: radical works of art and activism

    Saffron East

  • The many painted lives of Mai, Britain's first Polynesian visitor

    Ben Pollitt

  • Exhibitions spotlight: Black British artists

    Imelda Barnard

  • Adam, Jon Daniel and Yazz Vanducci, in front of Jon’s 'Afro Supa Hero' exhibition
    Being... Adam Duckworth, Education Demonstrator at the International Slavery Museum

    Adam Duckworth

  • Reinterpreting the museum with the David Livingstone Birthplace collection

    Aimee Murphy

  • The Uncrowned King of Scotland: the man behind the Melville Monument

    Lisa Williams

  • Agostino Brunias and depicting people of colour in the colonial Caribbean

    Lydia Figes

  • Alberta Whittle
    Alberta Whittle's excavations into history: a call to change

    Marjorie H. Morgan

  • 2019, Hyundai Commission at Tate Modern by Kara Walker (b.1969)
    Kara Walker: confronting colonial history through maritime allegories

    Lydia Figes

  • Lands, Waters, Skies
    Kashmir and the Himalayas: correcting the colonial gaze

    Cleo Roberts

  • Still from 'A Season Outside'
    Postcolonial interpretations of the art collections at Bristol Museum & Art Gallery

    Jenny Gaschke and Julia Carver

  • Postcolonial art: eight artists addressing empire, colonial histories and black identities

    Chloe Austin

  • 1861–1865, envelope design by unknown artist
    'Other' mothers: motherhood and the African diaspora

    Marjorie H. Morgan

  • 1899, oil on canvas by Winslow Homer (1836–1910)
    The legacy of Winslow Homer's 'The Gulf Stream'

    Lydia Figes

  • Sarah Forbes Bonetta: from captive to British celebrity

    Lydia Figes

  • Donald Rodney: from Blackness and disability, outwards

    Gregory Salter

  • Names on the Chattri Monument
    Forgotten heroes: when the Empire went to war

    Chloe Austin

  • Exhibitions spotlight: protest, upheaval and rebellion

    Imelda Barnard

  • Frank Brangwyn's 'Mater Dolorosa Belgica'

    Carien Kremer

  • In turbulent times: William Dobson's portrait of John Byron, 1st Lord Byron, at Tabley House

    Emma Giblin

  • Beyond the pale: blushing and whiteness in eighteenth-century portraits of women

    Janet Couloute

  • Lubaina Himid's 'Le Rodeur: The Pulley'

    Claire FitzGerald

  • The Art of Naval Portraiture
    Hello sailor! A guide to naval portraiture

    Katherine Gazzard

  • Art Matters podcast: the black presence in European painting

    Ferren Gipson

  • The changing face of the people of the African diaspora in British art

    Marjorie H. Morgan

  • 1769, image from 'Drawings illustrative of Captain Cook's First Voyage, 1768–1771', drawn by Tupaia (c.1725–1770), Polynesian navigator
    Captain Cook: a complex legacy

    Samuel Doering

  • Protest in print: the activist work of Paul Peter Piech

    Michelle Lewis

  • Elizabeth Butler: painter of battle scenes from Waterloo to the First World War

    Felicity Herring

  • Write on Art: 'Terpsichore' by Maud Sulter

    Nilla Feron Clark

  • On representing Mary Seacole: a Jamaican-Scottish war heroine

    Samantha Pinto

  • Gloriana and the Virgin Queen: portraits of Elizabeth I

    Rosanna Lawton

  • c.1882, lantern slide by J. S. Powell
    Tā moko: the Māori facial tattoos that fascinated Victorian Britain

    Tiare Tuuhia

  • Pushed off the pedestal: who was the slave trader Edward Colston?

    Lydia Figes

  • In disguise: masquerades, masks and race in the eighteenth century

    Janet Couloute

  • 2016, acrylic on canvas by Lubaina Himid (b.1954)
    Repositioning the voices of enslaved people through art

    Chloe Austin

  • c.1580–1605, engraving made in Antwerp after Jan van der Straet (1523–1605). The scene shows men chopping down sugar cane stems, a table with rows of sugar loaves, stoves with boiling syrup and men in a sugar plantation
    Sweets, slavery and sculptures: a brief history of sugar in art

    Tasha Marks

  • The boy with the pearl earring: the decorative art of slavery

    Marjorie H. Morgan

  • The role of the Clapham Sect in the fight for the abolition of slavery

    Nancy Lyons

  • The Brangwyn Panels: painting the tangled abundance of the British Empire

    Marjorie H. Morgan

Learning resources

  • e8-as-s132-001-1.jpg
    Lesson plan
    Windrush 70 years on: the next generation
    • KS3 (ENG)
      KS4 (ENG)
      KS5 (ENG)
      KS3 (NI)
      KS4 (NI)
      KS5 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      CfE Sen. (SCO)
      KS3 (WAL)
      KS4 (WAL)
      KS5 (WAL)
  • aifhl-souvenir-1.jpg
    Lesson plan
    Artist in focus: Hew Locke
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • le-abp-ldaut-pr-2761-rfk-001-1.jpg
    Lesson plan
    Seeing differently: learning together through photographs
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      KS3 (WAL)
      KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • shonibare-wanderer-1.jpg
    Lesson plan
    Pattern and identity: Yinka Shonibare's 'The Wanderer'
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
  • ntv-mm-midma-fa-1108-001-1.jpg
    Lesson plan
    Pattern and Identity: Sonia Boyce's 'She Aint Holding Them Up, She’s Holding On (Some English Rose)'
    • KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
  • lw-boa-boa-14-002-1-1.jpg
    Round-up
    Anti-racism resources
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      KS3 (ENG)
      KS3 (NI)
      CfE L3 (SCO)
      CfE L4 (SCO)
      KS3 (WAL)
  • tate-tate-t05020-001-1.jpg
    Lesson plan
    Artist in focus: Sonia Boyce
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • war-ragm-7-001-thumb-1.jpg
    Lesson plan
    Explore the Windrush story through art
    • KS3 (ENG)
      KS3 (NI)
      KS3 (WAL)
      CfE L3 (SCO)
      CfE L4 (SCO)
  • aif-ckb-lw-scmu-2019-161-001-1.jpg
    Lesson plan
    Artist in focus: Chila Kumari Singh Burman
    • KS4 (ENG)
      KS4 (NI)
      CfE L4 (SCO)
      KS4 (WAL)
      KS5 (ENG)
      KS5 (NI)
      CfE Sen. (SCO)
      KS5 (WAL)
  • sulter-preview-1.jpg
    Lesson plan
    Maud Sulter and the subversive portrait
    • KS4 (ENG)
      KS5 (ENG)
      KS4 (NI)
      KS5 (NI)
      CfE L4 (SCO)
      CfE Sen. (SCO)
      KS4 (WAL)
      KS5 (WAL)
  • cook-resource-thumbnail-1.jpg
    Lesson plan
    Captain Cook: from Tees Valley to Tierra del Fuego
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).