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Topics

Battle scenes

  • Summary
The Siege and Battle of Pavia
Image credit: Ashmolean Museum, Oxford

The Siege and Battle of Pavia

Netherlandish School (possibly)

Ashmolean Museum, Oxford

Europe has been ruptured by war throughout its history and many artists could specialise in battle pieces. Colourful flags, glittering armour, smoke, and violent action made dramatic compositions. Some battle scenes are imaginary, but commonly depicted wars include the Thirty Years War and Anglo-Dutch wars of the seventeenth century, and the Seven Years War and Napoleonic wars of the late eighteenth and early nineteenth centuries.


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By that period however, war was beginning to be depicted as much as bloody and destructive as it was noble and glorious. It is notable how much freedom the official war artists of the First World War had to record the misery and horror of the trenches, the effects of gas and the destruction of town and landscape.

Artworks

  • The Siege and Battle of Pavia
    The Siege and Battle of Pavia Netherlandish School (possibly)
    Ashmolean Museum, Oxford
  • Idealogical Conflict
    Idealogical Conflict Anthony Pilbro (b.1954)
    Herbert Art Gallery & Museum
  • Culloden Moor, the Cumberland Stone
    Culloden Moor, the Cumberland Stone Edith Mary Kemp-Welch (1870–1941)
    Bushey Museum and Art Gallery
  • The 'Antelope' Packet Captures the 'Atlanta' French Privateer, off Jamaica, 2 December 1793
    The 'Antelope' Packet Captures the 'Atlanta' French Privateer, off Jamaica, 2 December 1793 Geoff Shaw (1924–1992)
    National Maritime Museum Cornwall
  • AD 1915
    AD 1915 Charles Napier Hemy (1841–1917)
    Cornwall Museum and Art Gallery
  • Pegasus Bridge
    Pegasus Bridge John F. Sellars
    Yorkshire Air Museum
  • Kohima Battlefield
    Kohima Battlefield Ethel M. Kitson (active 1920–1972)
    Kohima Museum
  • 404 more

Stories

  • Paul Nash's 'The Corner'

    Lara Wardle

  • The rise and fall of Wyndham Lewis

    Richard Slocombe

  • Joseph Gray working on 'After Neuve Chapelle'
    How not to be seen: the war art of Joseph Gray

    Mary Horlock

  • D-Day: 6th June 1944

    Gary Haines

  • The Battle of Trafalgar and the image of Horatio Nelson

    Avesta-Saule Zardasht

  • Not so quiet on the Western Front – the art of warfare

    Jenny Spencer-Smith

  • Write on Art: Paul Nash's 'We Are Making a New World'

    Evie Wildish

  • Christopher Wright recounts a visit to Maidstone in 1973

    Christopher Wright

  • What! You can’t think of anything to draw..!
    Desmond Bettany: documenting life as a prisoner of war

    Keith Bettany

  • Comfort vs reality: the early reactions to John Singer Sargent’s 'Gassed'

    Gary Haines

  • Who was Napoleon Bonaparte? Picturing the military leader

    Gary Haines

  • Paul Nash's 'Battle of Britain'

    Kate Clements

  • Portraying a national hero: the Duke of Wellington in art

    Gary Haines

  • The Monmouth Rebellion explained: a tragic episode in Stuart Britain

    Andrea Zuvich

  • Elizabeth Butler: painter of battle scenes from Waterloo to the First World War

    Felicity Herring

Learning resources

  • ng-ng-ng583-no-frame-1.jpg
    Lesson plan
    The Superpower of Looking: a battle in Renaissance Florence
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • Whaam!
    Lesson plan
    The Superpower of Looking: Pop Art planes inspired by comics
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • ntv-hap-79-001-1.jpg
    Lesson plan
    The First World War in art: 'The Bombardment of the Hartlepools (16 December 1914)'
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
  • tate-tate-t00897-10-002-1.jpg
    Audio
    Audio description of 'Whaam!' by Roy Lichtenstein
    • KS2 (ENG)
      KS2 (NI)
      CfE L2 (SCO)
      PS3 (WAL)
      SEND (ENG)
      SEND (NI)
      ASN (SCO)
      SEND (WAL)

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® is a registered trade mark of the Public Catalogue Foundation.
Art UK is the operating name of the Public Catalogue Foundation, a charity registered in England and Wales (1096185) and Scotland (SC048601).