A moriage enamel vase, the shouldered body of tapering hexagonal form decorated in quasi-Chinese style with a profusion of white prunus flowers upon green and brown twigs and branches on a royal blue ground. Applied with silver mounts. A pair of vases of similar design was included in the Louisiana Purchase Exposition of 1904, illustrated in the catalogue, p.80. Others on a dark green ground were exhibited by Kawade at the Universal and International Exposition of 1905 in Liège and are illustrated in the ensuing auction catalogue, lot 475. It is worth speculating on the nature of the relationship between Ando Jubei and Kawade Shibataro: were they partners, or did the one employ the other? Why did Kawade sometimes sign his work alone, as here, sometimes with both names, and obviously (but without external corroborating evidence) sometimes with Ando's name alone? Was Kawade a craftsman/artist and Ando the entrepreneur? That Kawade was not the only craftsman/artist in the Ando Company is clearly shown by E 31, which could not be by Kawade as he is not known to have worked in that traditional style.